Sunday, 22 April 2012

Sent through the mail



I am going to place these three items in this horizontal position within 3 identical frames. I want to show that they are related, but that they are related within someones past of whom has remained anonymous to me. It's this factor that I want to develop this post into.

I thought of regenerating these items, above, within the sense of the person who sent them. I have decided to play around with the idea of interpreting this information into a portrait of the woman at the centre of these items.
With the use of the information I have collected, showing different feelings and emotions of the woman in question, I am hopefully going to be able to develop a photograph/ series of photographs that can show this metaphorical woman through my eyes.  

Letter out of the blue

Unexpectedly I received a letter in the post. It was a hand written address so I knew that it had to be something from someone who knew my address, however when opening I discovered a poem of which I didn't at first really gauge who it was from.


Looking back now I can see how it belongs to the anonymous sender of one of my first 'stranger letters'.

I don't know why the person sent it to me but I like the fact that whoever it is, thought that it would be of some use to me and my project, which it is. I have almost a sense of frustration in that I don't know who the 'stranger' is in order to contact them and find out more about their story. The three items; letter, picture and poem work really well together and I am going to us this as a representation of my letter project.

Monday, 19 March 2012

Last walk of the deceased

I wanted to place myself within the position of the deceased taking their last metaphorical 'walk' in the living world before being laid to rest upon the altar.


This is a crucial moment for the family and relatives of the deceased as they have seen them grow through their life until they find that it is their time to go and leave this world. Leaving only memories and the love of the person to be their living presence.
Below I have included both the flash film and some stills to show the process;

Here are some stills:





Looking back through my blog I found that on many occassions I have focused on the composition and lighting in which was new for me to experiment with. However now that I know how to manipulate the lighting within a photograph I have thought about the ways in which I could interpret this into my video in order to develop it further and gauge a better understanding of what I wanted. 

Christian Payne: Remembering Joshua David Mulvany

Christian Payne 
 This is a series by Christian Payne in which he was commissioned by a close friend of his to photograph the funeral of a deceased relative.
He chose to complete this series as he thought that a funeral was an odd place to be commissioned to take photographs and it would be a new face to show to that of the photography world. Why not document a funeral, it is much like that of a christening and a wedding, where the family join up to think of loved ones and pay respects?
"Photographs of a funeral can act as part of a fitting memorial, bringing together happy and sad memories of the deceased."

After researching into the different aspects of death, I decided that I didn't want to document a funeral as the photographer completed above as I believe that the funeral would become more about a photography project rather than that of actually respecting the deceased and giving them privacy within their final goodbye, as well as exposing the grieving relatives while in pain. It would almost feel as though their loss is my gain which I didn't want it to become.
As I am a Christian I feel that this would go against what I believe in if I were to complete this task, so now knowing what it would be like to document a funeral from exposure and insight from the photographs above, I decided to take a different route in documenting the passage of death, using inspiration and influence from funerals and the photographer above, by creating a flash video from stills of the final walk of the deceased.

The last walk of the coffin

Taking influence from my earlier sandwich prints, I decided to go and take some photographs of flowers, graves and the church itself so that I could create sandwich prints outside of the darkroom. Almost creating a reverse sandwich print, much like that of a film to a photograph.
To create these sandwich prints I just overlapped two photographs of which are of different subject matter and then lowering the opacity tool, in photoshop, to create an almost transparent top layer of the photograph.


I wanted to show the feeling of flowers taking over the final moments of our lives with them being present at funeral, churches exteriors and interiors as well as the grave of the deceased itself. I decided to place the flower photograph on top of the under photo to create this almost suffocating feeling around the theme and presence of death.

Here are some other photographs, below, taken while completing this experiment;




Symbolism of the death of a flower

The death of a flower symbolises many different aspects of life being lost or wearing away. If flowers are shown within the home then people tend to throw them away before they can see them begin to turn brown or die as they don't like the feeling of the concept or reality of death. A flower represents life through the starting of the shoot to the bud and then to the flower, ending with the brown and crisp petals on the floor.
People don't want to believe that they are going to die.


Vanitas paintings are a type of symbolic art that tend to centre around the themes of life and it's fragility in which they were very common in medieval funerary art.
 By the 15th century these could be extremely morbid and explicit, reflecting an increased obsession with death, decay and the overlapping motif of the skull. Paintings in the vanitas style are meant as a reminder of the transience of life, the futility of pleasure, and the certainty of death. They also provided a moral justification for many paintings of attractive objects.

Death of a flower

With the use of flowers in my last experiment I thought about instead of focusing on the death of a human and their decay through life, I would look more at death of the flower itself within this post.

There is a sense of beauty within the life of a flower from bud, to bloom through to the fallen crisp brown shell present at the base of the vase. In some ways you could associate his with the life cycle of a human from baby, to teen, adult through to elderly until death brings us back to the start.

Here I have created a sequence of photographs in which you can see the decaying of a flower in order to show this theory.


Here are some more photos of which show the flower within the process above;